Gericault         Be your own person. Gericault and other amatorys applied this maxim to their direction of painting. Gericault was not bogged down by rules and regulations for painting; he plainly painted what he felt and what he wanted to paint. It has been argued by historians, whether or not Gericault was in reality a ro gentlemans gentlemanticist panther. Through his works, The plentitude of the medusoid, Madwomen, Horse Frightened by Lightning, and The frequent life of the Barbary Horses, it is app arnt that he is a true Ro musical compositiontic mountain lion by examining the elements in his paintings.         The galvanic pile of the medusoid is Gericaults masterpiece, which has highly quixotic themes. Gericault was moved by the real-life tragedy of 149 shipwrecked sailors from the ship Medusa, which the sailors were abandoned for twelve days on a wad off the Senegalese coast. He chose to portray the moment on July 17, 1816 when the fifteen survivors were overcome with desolation as the Argus sailed off. This was several(a) than previous Classical style paintings because it was the first time an artist used a contemporary subject for a queen-size painting. The high contrast of darks and lights displays extreme emotions, other characteristic of Romantic artists. The viewer feels the sailors pain and how they feel, gloomy and losing hope.         Romantic artists enjoyed painting man in conjunction with personality. They portrayed man against the wrath of personality; this was different than Classicism, which portrayed man and god with religious ties. The Raft of the Medusa shows man vs. the treacheries of the ocean. The brush strokes of the painting ar rich, bold, and energetic, another(prenominal) characteristic of Romanticism. These energetic brush strokes create strong emotions, which are also emphasized by contrast of lights and darks. Romantics usually chose pens ive subjects and the Raft of the Medusa is d! efinitely... If you want to get a fit essay, order it on our website: BestEssayCheap.com
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